Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, 23 February 2010

Event: BLOC 2010 Weekender w/ Flying Lotus, Wiley, Roots Manuva, Kode 9, Anti-Pop Consortium & Salt n Pepa



We are glad we're all on the same page because that is exactly what we were thinking... Salt N Pepa, Flying Lotus and Wiley in the same venue. Wow! But its all about fancy dress
Sunday... Click to enlarge the roster of talent.



http://toosexy4radio.blogspot.com

Tuesday, 16 February 2010

Download: MdCL presents Rahel | Hope


Please take a moment with us to take in the view before us... Now close your eyes and imagine with us... You there yet? Now give her an effortless coco brown voice of soul, with a UK stamp (somewhere only seen when eyes are closed.)

Our next step was the choice of the white dress to the sound of wedding bells, yours is to now download, press play and enjoy.



http://toosexy4radio.blogspot.com

Wednesday, 3 February 2010

Monday, 1 February 2010

Event: Gilles Peterson's Worldwide Awards




http://toosexy4radio.blogspot.com

Thursday, 28 January 2010

Download: Big Pooh x Black Milk | The Purple Tape | Mixed by DJ JayCEE


Please please please stop sleeping and download, and we may post the instrumentals...



http://toosexy4radio.blogspot.com

Wednesday, 27 January 2010

Video: Delphic | Doubt




Splicing New Order's patent Mancunian brand of indie disco intellectualism with the unbound, arms aloft euphoria of Orbital or the Chemical Brothers, Delphic are the next top drop in a long line of UK acts to make timeless pop music from sonic fragments of the future. Delphic deliver the epic anthem Doubt in all it's glory; straight to the point and full of kick. Little cubes, bubbles, and spikes cover the beautiful bodies in this special effects-laden clip from the UK dance rockers. Video comes directed by Andrew Huang.



http://toosexy4radio.blogspot.com

Tuesday, 26 January 2010

News: Reorganised Jay Dilla State and Plans for Jay Dilla Foundation


The family of late music producer James “J Dilla” Yancey is extremely pleased to announce the appointment of West Coast probate attorney Alex Borden as administrator of Yancey’s estate, and also to announce the establishment of the official J Dilla Foundation. The developments mark a new chapter in preserving and enhancing the legacy of the legendary artist and secure a means of future prosperity for his mother, Maureen “Ma Dukes” Yancey, daughters Ja’Mya Yancey and Ty-Monae Whitlow, and brother, John “Illa J” Yancey.

“I’m so excited because it’s like one big organization,” says Maureen Yancey, who has worked tirelessly to ensure that the well-being of her family remains a priority for all involved and her son’s accomplishments are held in a positive and productive light. “We’ve got cutting-edge people all over the country waiting to work and be a part of it. Everybody’s on one accord it seems like the universe is working with us.”

Borden came on board last April following Arthur Erk’s tenure as Executor and has been working closely with the Yancey family in developing creative opportunities for J Dilla’s vast catalog of music. Says Yancey: “It’s awesome to not only have things back on the right track, but to have people who are really in your corner. I’m just blown away by the past few years, and working doubly hard to get things corrected, it drives you. It’s wonderful.”

The Estate will serve as the channel through which the Yancey family will receive financial benefit from the J Dilla/Jay Dee name, merchandise, and recordings; the goal of which is to create a successful, joyous, and profitable enterprise to be controlled by the family once the probate process is complete. All business dealings with the music of James Yancey, Pay Jay Productions, Inc. and the Estate of James Yancey should be directed to the Estate through the newly launched official J Dilla website www.j-dilla.com. The Estate will also manage contracts, copyrights, and other matters relating to the Yancey name and/or Pay Jay Productions, Inc., and welcomes ideas, requests, and licensing opportunities for evaluation and review with the family.

“We’re very happy about it,” says Yancey in regards to her family’s relationship to the new administration. “The entire family knows how Alex’s team works and how they’ve pulled together and stood up for us even before this time, and it’s just been excellent. The communication is wonderful. It’s like family…we’re just one big family.”

In a separate but complementary role to the Estate, the newly established J Dilla Foundation has filed for tax-exempt 501(c)(3) status as a non-profit charitable institution to help fund the development of music in the inner city and provide scholarships to students enrolled at schools with progressive music curricula. Four initiatives will be launched each year and three cities chosen to enhance local music programs, with scholarships awarded to one or more students at the beginning of the fall semester. Target cities for 2010 are Detroit, Atlanta, and Los Angeles. The Foundation will hold fundraisers in each city with each effort anticipated to bring approximately in $10,000+ of donations.

“One of the things Dilla wanted me to do with his legacy was to use it to help others, people with illness, and kids who were musically gifted but had little hope due to poverty,” says Yancey, founder and chair of the Foundation. “The Foundation is to keep Dilla’s dream alive to help youth—those who aspire to make good music—and develop their time, talent, and nurture their skill. We also want to be there financially for those who are talented but don’t have the money or access to the networks they need to help them grow.”

By the time of his death in February of 2006 from complications due to Lupus, Yancey was revered by the music world for his contributions to hip-hop and R&B, emerging from the mid-1990s underground hip-hop scene in Detroit, Michigan to become one of the industry’s most influential artists. “Every year, Dilla and his dream get bigger and bigger,” says Yancey. “Every time I go to a different city and visit with his fans, the dream just grows. It’s something that I can’t even describe, and it’s not going to die.”

via J Dilla.com



http://toosexy4radio.blogspot.com

Monday, 25 January 2010

Event: Courtney Pine | Transition in Tradition



Saturday, 6 March 2010
Union Chapel Islington, London
Tickets | 25.00

Bursting with Pine's typically memorable themes and exuberant soloing' Jazzwise Saxophonist Courtney Pine, who was awarded a C.B.E for services to music in the 2009 New Year Honours is back touring with his critically acclaimed Transition in Tradition album set.

Courtney’s 12th album and his debut release on his own label Destin-e World, not only pays tribute to the first great saxophone star Sidney Bechet, but also marks several new forays into sound for the groundbreaking Jazz Warrior.

Reviewed as some of his best work to date, the music was composed and evolved through a series of intimate shows in the UK during 2007 before Pine brought his band into the studio to document and capture the energy that only a live audience can give – this will be the first extensive tour of the finished material.

Pulling together a heavyweight musical line-up that draws influences from Africa, the Caribbean, South America and Europe, the set is as deep as the legacy of jazz, as it is reflective of their collective musical heritage.

A change in instrumentation sees Pine's Bass Clarinet take centre stage on many occasions, alongside Harmonium, Castanets and Mandolin and the resulting sound is like no other Courtney Pine record. "Of course I pay respect to the great Bechet by playing a silver soprano saxophone like his, but there are other flavours like my Alto Flute playing on The Tale Of Joe Harriott and of course that Caribbean groove". It's that very groove that gives this album another of it's unique elements, as forays into New Orleans 2nd line beats merge into an old school swing beat, a medium tempo swing smoothly flows into a reggae one drop beat, there is a feeling of continuing movement as each track passes from one place to another. "I want to show in these compositions how our journey as a culture is constantly in transition, things change in one tune musically just as we do in real life”.

Support on the night comes from Jazzwise cover star OMAR PUENTE whose new album is also released on Destin-E Records.



http://toosexy4radio.blogspot.com

Wednesday, 20 January 2010

Music: Tom Carunana | Wu Tang vs. The Beatles


Is it as good as Bullion's 'Pet Sounds: In The Key of Dee'... Nope, but it's a nice 27 track winter ear warmer nonetheless. Download the album
here.



http://toosexy4radio.blogspot.com

Monday, 18 January 2010

Interview: GrownSexyFunkyFresh with... JukeBox

Artist & Producer


North London based emerging recording artist, music producer, remixer, and a all round good mutha [shut your mouth]!

Too Sexy 4 Radio caught up with JukeBox to find out what’s GrownSexyFunkyFresh in his world…



Grown | In my life and career being grown – in the sense of maturing – has always been a key factor. I can be a super clown at times due to always being young at heart, but having gained the wisdom on the balance needed, knowing when to focus and see straight, being ‘Grown’ is a great tool to have. I would also say that my music production has also matured like a fine wine, a prime example that quality takes time look at Dr. Dre for an example. I wouldn't feel comfortable pushing out my music that I made a few years ago for the listener to hear and think hmmm (in saying that, some of my dopiest beats that I have now were started a few years ago... So I guess I took my time in making them. Phew, can you say "what a save?!") All joking aside, I have grown as a person, and I have grown musically, my knowledge has grown due to being more active within music industry and the technical aspect of production.


Sexy | Boy! What's sexy to me is the new MPC5000! Jeezz! Erm... Sexy? What is sexy? Who is sexy? Sex to me relates to people so what I find sexy in a female, apart from the obvious, would be having a sense of ambition, knowledge of ones self to achieve their life’s goals. Just don't be singing "Independent woman" and then say "Can you buy me a drink or pay for my movie ticket, and popcorn?!" Ha! Don't get me wrong I'm not cheap but, c'mon son! [Ed Lover] but enough about the women, lets get back to talk about music, and more importantly equipment! MPCCC, Mini Moog, SSL Desk!! *foaming at the mouth like homer*


Funky | "Show me, how you get down, I said swearrrr dooowwnnn!" That's one of the genres [Funky House] that sometimes gets me zoned out. Don't know if I would do a House track, but I may take some of its influences such as the drum patterns, or the BPM, but on the whole not really my bag baby. I say that to say this: Get in where you fit in (cheers snoop) I don't hate on dudes hustle if your more successful in one genre than another, more power to you. Donaeo is an example of that. What's also 'funky' are them James Brown, Isaac Hayes, Jimmy Hendrix joints! When sampling, these old school records can be a driving force in doing something different and creative for me. Chuuch!


Fresh | "Fresh, fresh like I'm wrapped in plastic!" Big Sean lyric, as an artist he's fresh. Bape clothing is fresh, LRG clothing is fresh, Kicks fresh out of the box are with out a doubt are always fresh! A Jay Dilla Beat on repeat is super fresh! What's refreshing is, being able to do what you love for a career and have a support system for your family through that. Fresh, chuuch. (Any of the brands mentioned in this interview want to hook a brother up with some free gear, you more than welcome!)



Contact Information




http://toosexy4radio.blogspot.com

Thursday, 14 January 2010

Video: Yours Truly | Mayer Hawthorne | Dusty Fingers




Mayer Hawthorne in San Francisco at Groove Merchant, created by
Yours Truly.



http://toosexy4radio.blogspot.com

News: Teddy Pendergrass... R.I.P


Legendary singer Teddy Pendergrass, dead after a long illness at age 59, spent his last 28 years in a wheelchair, left to wonder what life might have been like had a car crash not completely altered his destiny.

Before the crash, Pendergrass was one of the most electric and successful figures in music. He established a new era of R&B with an explosive, raw voice that symbolized masculinity, passion and the joys and sorrow of romance in songs such as ''Close the Door,'' ''It Don't Hurt Now,'' ''Love T.K.O.'' and other hits that have since become classics.

He was an international superstar and sex symbol. His career was at its apex -- and still climbing.

Friend and longtime collaborator Kenny Gamble, of the renowned production duo Gamble & Huff, teamed with Pendergrass on his biggest hits and recalled how the singer was even working on a movie.

''He had about 10 platinum albums in a row, so he was a very, very successful recording artist and as a performing artist,'' Gamble said Thursday. ''He had a tremendous career ahead of him, and the accident sort of got in the way of many of those plans.''

Pendergrass, who was born in Philadelphia in 1950, suffered a spinal cord injury in a 1982 car accident that left him paralyzed from the waist down -- still able to sing but without his signature power. The image of the strong, virile lover was replaced with one that drew sympathy.

But instead of becoming bitter or depressed, Pendergrass created a new identity -- that as a role model, Gamble said.

''He never showed me that he was angry at all about his accident,'' Gamble said in a telephone interview with The Associated Press. ''In fact, he was very courageous.''

Pendergrass died Wednesday in suburban Philadelphia, where he had been hospitalized for months.

The singer's son, Teddy Pendergrass II, said his father underwent colon cancer surgery eight months ago and had ''a difficult recovery.''

''To all his fans who loved his music, thank you,'' his son said. ''He will live on through his music.''

Pendergrass left a remarkable imprint on the music world as he ushered in a new era in R&B with his fiery, sensual and forceful brand of soul and his ladies' man image, burnished by his strikingly handsome looks.

Gamble said Pendergrass was one of a kind as an artist and boasted a powerful voice and ''a great magnetism.''

''He was a great baritone singer, and he had a real smooth sound, but he had a real rough sound, too, when he wanted to exert power in his voice,'' Gamble said.

But it wasn't Pendergrass' voice that got him his break in the music business -- it was his drum playing abilities. He met Harold Melvin, who was looking for replacement members for his group, the Blue Notes, and signed on to be the drummer. Later, he became the lead singer of the group, which became known as Harold Melvin and the Blue Notes.

The band started working with Gamble and Leon Huff and had signature hits in the early 1970s with ''Wake Up Everybody'' and ''If You Don't Know Me by Now.''

But Pendergrass had creative differences with Melvin and soon left for a solo career, according to his Web site. It was then he would become a sex symbol for the R&B genre, working women into a frenzy with hits such as ''Only You'' and concerts dedicated for ladies only.

''The females,'' Gamble said, ''loved Teddy Pendergrass. The females were very attracted to him and his music.''

Unlike the songs of many of today's male R&B crooners, Pendergrass' music bordered on eroticism without explicit lyrics or coarse language -- just through the raw emotion in his voice. ''Turn Off the Lights'' was a tune that perhaps best represented the many moods of Pendergrass -- tender and coaxing yet strong as the song reaches its climax.

Fans were devastated when, at age 31, Pendergrass was critically injured after his Rolls-Royce hit a tree. He spent six months in a hospital and returned to recording the next year with the album ''Love Language.''

He continued to sing and recorded several albums, receiving Grammy nominations; perhaps his best-known hit after his crash was the inspirational song ''Life is a Song Worth Singing.''

It was 19 years before Pendergrass resumed performing at his own concerts. He made his return on Memorial Day weekend in 2001, with two sold-out shows in Atlantic City, N.J.

Gamble noted Pendergrass' charitable work for people with spinal cord injuries, his performances despite pain and his focus on the positive in the face of great challenges.

''He used to say something in his act in the wheelchair, 'Don't let the wheelchair fool you,' because he still proclaimed he was a lover,'' Gamble said.

But his career was never the same. Gamble said it was difficult for Pendergrass to project vocally like he once did: ''The breathing aspect of it, he wasn't really able to deal with it.''

And while he had albums, he was no longer seen as the sex symbol but more of a sympathetic, tragic figure, even though he still had a strong following among his core female fans.

After the accident, he dedicated much of his life to helping others with spinal cord injuries and founded the Teddy Pendergrass Alliance to do just that. Gamble said he wanted to help others.

''In his quiet moments, he probably did a lot of reflection. But I never saw him pity himself. He stayed busy,'' Gamble said. ''(But) I feel that he's in a better place now. ... He doesn't have to go through that pain or whatever he was going through anymore.''

via New York Times



http://toosexy4radio.blogspot.com

Tuesday, 5 January 2010

Video: Juice Aleem | First Lesson | Dir. Petah Hayes





New Video by Juice Aleem, Directed by Petah Hayes.



http://toosexy4radio.blogspot.com

Monday, 4 January 2010

Video: Little Dragon | Runabout




If you can't afford the best, do it yourself and allow the talent to shine through.



http://toosexy4radio.blogspot.com

Friday, 1 January 2010

Music: GrownSexyFunkyFresh - One | Download



As a small thank you for your continuos support over the last year we thought we would give you a little musical something something, 40 tracks deep of musical something something, so we're sure that there will be something something to wet the musical palette of everyone.

From what we have planned, this year will be another interesting journey, and with us not being able to keep secrets too well these days, we're very sure that you will be the first to know, before those that thought they were the first to know.

So until then, enjoy this new dawn of a decade.

Bless...



http://toosexy4radio.blogspot.com

Wednesday, 30 December 2009

Music: Tanya Morgan | Brooklynati Sample Mix | Download

Download the album here.



http://toosexy4radio.blogspot.com

Tuesday, 29 December 2009

Music: Supersci | What It Is EP | Download

Download the free EP here.



http://toosexy4radio.blogspot.com

Music: Theophilus London | Humdrum Town | Downlaod

Download Theophilus London's 'Humdrum Town' track here.



http://toosexy4radio.blogspot.com

Monday, 28 December 2009

Music: MeLo-X | Mustafa's Renaissance 1.5 FreEP | Download


Download MeLo-X's Mustafa's Renaissance 1.5 FreEP
here which includes material from his Amy Winehouse Remix Album that came out in 2007, and ATL artist Supreeme. We like we like...



http://toosexy4radio.blogspot.com

Music: Elzhi | The Leftovers UnMixedtape | Download

The Leftovers UnMixedtape is exactly what it sounds like: A compilation of one of the game's most talented Emcee's unreleased and featured works. Whether it's a promo joint from a few months back (eLZhi and Black Milk - Deep), a feature from another artist's project (Danny Brown - Contra feat. eLZhi), or just a rare gem from years past (eLZhi and DJ Dez - Living), these Leftovers would have passed for a fresh cooked meal if you didn't know better. It's raw, uncut, unmastered, fresh from the studio and ready for your ears. No DJs, just eLZhi and his comrades, your speakers and you. Without the Leftovers UnMixedtape, most of these songs would never have seen the light of day, so consider this a gift, and come get your grub on!



http://toosexy4radio.blogspot.com
Related Posts with Thumbnails